On Tue, 31 May 2011 22:17:51 -0400 ... Inlining pseudo-comments already exists in ABC 2.0 (section 11. ABC stylesheet specification): Alternatively, the...
3638
Jean-Francois Moine
moinejf@...
Jun 1, 2011 10:57 am
On Mon, 30 May 2011 10:31:25 -0000 ... Hi Alex, As Glenn, I better like a top-down design, and, also, I better like a standard which is also a tutorial (as the...
Hi to all, you seem to agree with me that the standard document should be redesigned. Let me repeat that I am not writing that document, just trying to point...
Is there some way to get Easy ABC to repeat the tune on play back so I can play along with it and not stop and restart it after one time through the tune?...
Hello, I'm glad to announce the hybrid MC Musiceditor 6.1.3 for Windows. One of the improvements is the increased refreshrate of the previewer: thanks to...
Hi to all, later this weekend I will propose an organizational way towards a widely accepted standard document. In order to keep this target in sight, I can...
I’ll respond in one message to a few people’s comments to my posting about lower case letters in chord symbols. ... No, I’ve not come across any abc...
3644
Jean-Francois Moine
moinejf@...
Jun 4, 2011 10:09 am
On Sat, 04 Jun 2011 08:42:51 -0000 "scheutzow4cond" <scheutzow4cond@...> wrote: [snip] ... abcm2ps is not bug free! ... Right. ... As the BOM is a kind...
Hi all, and Alex in particular, ... I agree with Jef and Glenn (and others) - I prefer the top-down tutorial-based approach, with plenty of examples. I do...
Hi Jef, ... True, but my point was that a breach of rules is not possible where none exist. You are very welcome to suggest rules about this and all your...
AFAICT, the chords notation, including the bass note, is not affected by the key. K:D "A/C" -> =C A E and not ^C A E as it should. But "A/C#" gives the correct...
Hi to all, and Chris W. in particular, I am very pleased to read that you take a constructive approach about my principal idea. Of course I never objected to...
Chris W., PS: Of course, the main problem of the current document is not ... but that for some examples and explanations the corresponding rule or definition...
... Speaking as someone who has read a lot of music with chord symbols on it, but hasn't had any classroom training in music theory: I would expect to see...
The use of things like A/C# comes from chord notation where the writer wants to indicate a bass note. You can often find things like G, D/F# Am/E D written to...
... Chord symbols like this are actually quite common in modern jazz. In fact, I have a composition whose working title for quite some time was “A/C”...
One other thing – the notation “N.C.” (for “no chord”) is also common / standard enough that it should be explicitly permitted and treated like other...
On Sat, Jun 4, 2011 at 5:34 AM, Emmanuel Delahaye < ... A/C and A/C# are not the same thing. The first specifies a C natural bass note under an A major chord...
... The one exception I can think of is when '5', normally implied and therefore redundant, is used to indicate "no third" instead of "add the fifth", as I...
As a Danish accordionist the chord symbols are important to me and should be part of ABC. In my part of the world which is nordic trad music I often see lower...
... I essentially never see it outside that context, but I am aware of its existence, so if I did ever see it in a chart, I would understand what was meant. I...
He included K=D in which case "A/C" would use the C# note. ________________________________ From: Steve Wyrick <sjwyrick@...> A/C and A/C# are not the...
... Oops... This kind of chord notation is independent of key signature. Thus, one should write "A/C#" for an inverted major chord or "Am/C" for an inverted...
My point is that it shouldn't! The chord's bass note should be totally independent of the key; you should have to specify whether you want it sharped, even if...
I don't think so. Otherwise it would give strange results when you transpose the tunes and everything transposes OK. ________________________________ ...
Looks like Barfly has a bug in the transpose. in this example X:1 T:Test M:4/4 K:D "A/C" A2 transpositions to G or C changed the chord name correctly but did...
I'm getting pretty much lost right now. I think these are correct transpositions where the slash base note is concerned. If not, I'd hate to see a correction...
