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E.l.e.c.t.r.i.c D.r.e.a.m.s


Volume #13 Issue #8

August 2006

ISSN# 1089 4284

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Electric Dreams: http://www.dreamgate.com/electric-dreams
Cover: http://dreamgate.hypermart.net/ed-covers/ed13-8cov.jpg

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C O N T E N T S

++ Editor's Notes
Richard Wilkerson

++ Global Dreaming News
Harry Bosma

++ Cover: "Picnic on the Meadow"
Linda Lane Magallón

++ Column: An Excerpt from the Lucid Dream Exchange
Lucy Gillis - Editor
Robert Waggoner interviews Suzanne Wiltink

++ Column: A View From The Bridge
Dreaming the Compassionate Feminine
Jean Campbell

++ Article: Hope For the Dream Art Underachiever
Linda Lane Magallón

++ Dream: "Sea Witch"
Stan Kulikowski II


++ Column: Dreams and Speaking the Truth
DreamRePlay with David Jenkins, PhD



++ DREAM SECTION: Kat Peters-Midland


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D E A D L I N E :
Send articles and news in by Aug 25st, 06 for September issue
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Post Dreams and Comments on Dreams to:
http://www.dreamgate.com/dream/temple

Send news, events, workshops, conferences& reviews to
Harry Bosma <ed-news@...>

Send Articles, news and other items to:
Richard Wilkerson: <rcwilk@...>

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Editor's Notes

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Welcome to the August 2006 issue of Electric Dreams, your portal to dreams
and dreamwork online.

If you are new to dreams and dreamwork, there are a few e-lists where
Electric Dreams people seems to congregate that might interest you. One is
dreamchatters@yahoogroups.com
Subscribe by going here and registering
http://groups.yahoo.com/group/dreamchatters/

.. and another is the IASD bulletin board. Please, no dreams interpreted
here, just discussion of dreaming and dreamwork topics.
http://www.asdreams.org/subidxdiscussionsbboard.htm



In this issue:

Global Dreaming News editor Harry Bosma, brings you dream news and events
from around the world, online and offline. If you have dream news you want
to get out, please send those to Harry for next months publication at
ed-news@...


Lucid Dream Exchange (LDE) editor, Lucy Gillis, regularly shares gems from
her publication with Electric Dreams. In this month’s Excerpt, Robert
Waggoner interviews accomplished lucid dreamer, Suzanne Wiltink, covering
such diverse topics as how to get and stay lucid, how independent and
autonomous our dream characters are from ourselves, and what this means in
the old sense that dreams are all about ourselves.

The world is full of a lot turmoil and violence. While for some people this
is the way its been all their lives, many of us feel this violence and
turmoil growing. And people are dreaming about it. Not just responses and
quick answers, but deep reflections and profound insights. Jean Campbell
looks at some of these dreams that have been shared on the World Dreams
Peace Bridge in her column "The View."

Are you a little shy to create art? Maybe you need to draw upon your dreams
for inspiration and courage to break though the self-critic and join the
world creativity. Read about how Linda Lane Magallón achieved this in
"Hope For the Dream Art Underachiever."

An interesting dreams from Stan Kulikowski II, "The Sea Witch" Stan often
contributes selections from his unique dream journal. If you have dreams
you would like published, please enter them in the form at
http://dreamgate.com/forms/dream_flow.htm

David Jenkins, PhD., the director of Berkeley based DreamRePlay, pulses
online each week useful hints and techniques for dreamworkers. In this
month's selection, "Dreams and Speaking the Truth" David explores the truth,
the whole truth and the truths of dreamwork.

Our Dream Section editor, Kat Peters-Midland, says "Here the latest
collection of dreams with great amount of feelings of panic, sadness, fear,
and inspiration. One dreamer watches disaster, while another watches her
child drown. A different dreamer is given a moving book, yet another
dreamer has a dead relative visit. Another person dreams of a python-like
snake slithering across their uncle’s feet."
If you have dreams to share, use the dreamflow form at
www.dreamgate.com/dream/temple


Janet Garrett archives past issues so you can search out specific articles
and authors in an easy-to-access format. These articles contain a wide range
of information for dreamers and dreamworkers. You can see her work progress
and view hundreds of article on dreams at:
http://www.improverse.com/ed-articles/index.htm

Cover by Linda Lane Magallon:
http://dreamgate.hypermart.net/ed-covers/ed13-8cov.jpg


--------------------

For those of you who are new to dreamwork,
be sure to stop by one of the many resources:

http://dreamgate.com/electric-dreams
http://dreamgate.com/dream/library
http://dreamunit.net/news-en/


Electric Dreams in PDF: (thanks to Nick Cumbo)
http://electric.dreamofpeace.net/

--------------------

From Planet Dream,

-Richard Wilkerson


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G L O B A L D R E A M I N G N E W S

August 2006

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Got news? Email Harry Bosma at his special ed-news@... address.


Online:
- 2006 IASD PsiberDreaming Conference

Physical world:
- Minnesota: Healing Collage workshop with Sheila Asato
- Berkeley: the Dream Institute
- USA and Canada: Robert Moss
- Korea and USA: Jeremy Taylor
- Dream Workshop in New Lebanon, NY

Books, movies, research:
- Dreams of women trauma survivors
- Dennis Ryan: Dreams about the Dead
- Ife Chucks Maijeh: The Oracle of Dreams

Reminders:
- Virtual Dreaming Art Gallery
- Ritual DaFuMu for Peace
- Berkeley: Marcia Emery's Dream Salon



* * * ONLINE * * *

---
- 2006 IASD PsiberDreaming Conference
---

ven if you have never participated in IASD's two-week long, online
PsiberDreaming Conference, this is the year to do so.

Scheduled from September 24-October 8, with an additional two weeks of
read-only availability, the fifth annual PsiberDreaming Conference will
bring together a stellar cast of presenters and workshop facilitators along
with live chats, contests and bulletin board discussion.

Joining conference hosts Jean Campbell and Rita Dwyer will be some of the
finest minds in consciousness studies, parapsychology, and dream work. The
conference will feature a special discussion of the Physics of Psi Dreaming,
with a presentation of Dr. Montague Ullman's paper, "The Dream in Search of
a New Abode" and response by Mark Schroll, Ph.D., along with a new
conference feature, the presentation and discussion of several papers and
workshops in either Spanish only or Spanish and English. This feature of the
conference will be led off with a paper by Stanley Krippner Ph.D. and Rosa
Anwandter, Ph.D.: "Dreams and Shamanism in Latin America." This experimental
approach to programming reflects the growing internationalism of IASD.

Several other new features with brighten PsiberDreaming 2006 as well.
Contest Coordinator, Linda Lane Magallon, will host the first-ever Virtual
Dream Ball at the conference, with special music by Passamoquoddy Medicine
Woman, Mary Whitefeather, facilitator of the Solstice event at the recent
IASD Conference at Bridgewater. Dolores Nurss and Curt Hoffman will serve as
innkeepers at the conference Psiber Dream Inn, where weary travelers can
stop by and share a tale.

Register for the conference by August 31, 2006 and receive a $5 early
registration discount. New members of IASD who become members between August
1 and October 1, receive the PsiberDreaming Conference as a membership
bonus.

Go to http://asdreams.org/psi2006 for full details.



* * * PHYSICAL WORLD * * *

---
- Minnesota: Healing Collage workshop with Sheila Asato
---

There will be a full day Healing Collage workshop at Monkey Bridge Arts in
St. Louis Park, MN on Saturday, August 12, 2006. For more information and
registration, please visit www.monkeybridgearts.com

If you are in the area, I'd love to have you come!

Sheila


---
- Berkeley: the Dream Institute
---

The Dream Institute of Northern California
1672 University Ave
Berkeley, CA 94703
1-510-845-1767
Also see: http://tinyurl.com/9xv5l

The Dream Institute offers the following during August 2006.


* Culture Dreaming *

Monthly, Saturday afternoons 3-5, $20
August 5, Social hour follows

Culture Dreaming is an experimental ritual that gives a living sense of
interconnection. Dreams are first told in council fashion; then we explore
the composite dream co-created. Like a camera obscura that opens a window to
the world, it shows surprising relevance to current societal and global
concerns. Come once, occasionally, or regularly.

Conveners:
Richard Russo, M.A. and Meredith Sabini, Ph.D.


* Poetry Salon *

Monthly, Sunday afternoons 3-5, $5-15

This innovative monthly series is a roundtable format where published poets
can present their own work and then participants can also read their own or
favorites, for a lively sharing.

August 20: Alice Jones, editor and publisher of Apogee Press


* Art and Dreams *

Monthly, Saturday mornings, 10am-1pm
August 19, $10-30 sliding scale

This workshop provides a space to explore dreams through art-making. Not
about skill, performance, or product, it invites adventure, mystery,
unfolding. All levels welcome; no experience necessary. Materials are
provided. Attend a single day or regularly.

Emily Anderson, former Associate Director, Lucid Art Foundation; Former
Co-Director, Oakland Art Gallery. Multimedia artist with Dream Studies
Certificate and M.A. in Transformative Arts, JFK University.

Nancy Isaacs has been an active dreamer for forty years; her graduate
studies were in anthropology, art history, and psychology.


* Dreams and Spiritual Practise *

Sunday mornings, 11-12:30, $5-20
August 13, 27

Dreams have been central to sacred traditions throughout time. Their wisdom
and guidance offers unmediated contact with "The Source," by whatever name
one knows it. A presentation by the Director or invited guests highlight the
wisdom function of dreaming. There will be time for discussion, sharing of
dreams, and meditation.


* Dreaming With Eyes Open *

Monthly, Friday evenings: 7:30-9pm, $20
August 11
Seating is limited to 25; please call to reserve.

A dream-play . . . Back by popular demand!

A moving rendition of actual dreams based on a Culture Dreaming event. The
play addresses universal themes of contacting the ancestors, receiving
animal wisdom, doing ritual, and finding one's voice.


---
- USA and Canada: Robert Moss
---

For your convenience, here are some highlights from the calendar at:
http://mossdreams.com/


* The Power of Active Dreaming *

Evening Workshop
Friday, August 4
Chappaqua, NY, Canada
http://mossdreams.com/2006aug.htm#chappaqua


* Navigating by Synchronicity *

Evening Workshop
Friday, August 25
Montreal, PQ, Canada
http://mossdreams.com/2006aug.htm#montreal


---
- Korea and USA: Jeremy Taylor
---

August according to the schedule of Jeremy Taylor. For more, see
www.jeremytaylor.com/pages/schedule.html

July 30-August 24 - South Korea
Classes and Workshops. Contact Kathy at ktaylor597@...

August 25-28 - Hendersonville, NC
Dream Leadership Training Program - Haden Dream Institute.
Jeremy will lead several workshops. Contact Bob Haden at 828/693.9292 or:
bob@...


---
- Dream Workshop in New Lebanon, NY
---

September 1 - 4, 2006
Dreams, The Imaginal Realm, and the Re-Enchantment of the World
Barbara Tedlock, Lee Irwin, Paul Devereux, Reb Zalman Schachter

Sponsored by Elixir Magazine, hosted by Pir Zia Inayat-Khan
(Watch for the upcoming issue on DreamLife (issue 3) Fall 2006

Conference info
518-794-7834
www.abodeprograms.org



* * * BOOKS, MOVIES, RESEARCH * * *

---
- Dreams of women trauma survivors
---

Dream researcher Ann Goelitz is looking for the dreams of women trauma
survivors. "All I need is the dream and the type of trauma. Electronic
format would be wonderful, but paper is fine too."

For more information, please email Ann, agoelitz@...


---
- Dennis Ryan: Dreams about the Dead
---

Selected from more than 1,000 interviews, Dreams about the Dead presents
edited interviews with individuals who had dreams about dead relatives or
friends in an attempt to show the importance of dreams to the grieving
process. With extraordinary detail, this book examines the dreams and the
impact of various factors-such as the relationship between the dreamer and
the deceased, the dreamer's age and gender, and the cause of death-on the
bereaved and their grieving process.

www.amazon.com/gp/product/0761834966/


---
- Ife Chucks Maijeh: The Oracle of Dreams
---

Subtitle of the book: Inspiration and Interpretation of Your Dreams
distilled from the Wisdom of Millennia of African Elders

"For many years I did not understand what was going on with me. However, I
knew I had some kind of power, but I was uncertain what this power entailed.
Now I am fully able to understand the power within me. Not only do I have
the ability to interpret dreams, I can give advice that will guide others on
a path of enlightenment. I can also provide readers with remedies that will
provide understanding and solutions to day to day life situations. You will
learn how to tap into ancient numerology. This will help you to understand
your relationship status, financial status, and your overall health. In
addition, you will learn how to use the quick reference guide for dream
symbols and meanings. You will understand the origin of African ancient
numerology. With this method your ability to ask the necessary questions
associated with your dreams will be revealed for better dream
interpretation."

www.amazon.com/gp/product/0595371051/



* * * REMINDERS * * *

---
- Virtual Dreaming Art Gallery
---

Invitation. The Virtual Dreaming Art Gallery opened on the 2006 Summer
Solstice and runs through the Fall Equinox, 2006. Gallery sponsored by
DreamGate and the Electric Dreams community.

You can enter a dream art object by posting a description of the art piece
at Electric Dreams. You may also send in renditions or physical art (jpg,
gif) representations or inspired pieces. Please include copyright and re-use
rules for your narratives or pictures. The areas of discussion may shift and
evolve over time. Please use the following form:

http://dreamgate.com/forms/dream_flow.htm

Richard Wilkerson
rcwilk@...


---
- Ritual DaFuMu for Peace
---

The World Dreams Peace Bridge, on the 15th of each month, is holding a
monthly DaFuMu - a collective dream of good fortune - to support peace.

For more information go to:
http://www.worlddreamspeacebridge.org/dafumumonthly.htm

To join the World Dreams Peace Bridge discussion group, just send an e-mail
to worlddreams-subscribe@yahoogroups.com .


---
- Virtual Dreaming Art Gallery
---

1502 Tenth Street, Berkeley 7:15-9:15pm.

You are invited to join Dr. Marcia Emery’s monthly salon the last Thursday
of each month. Open Mike format so bring your questions about Intuitive
Development and/or dream interpretation. In addition to the discussion,
everyone will receive a five minute intuitive reading or dream
interpretation. Fee for each session is $20.

Please call 510/526-5510 or email PowerHunch@...


END NEWS ================================================



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Cover: "Picnic on the Meadow"
Linda Lane Magallón

http://dreamgate.hypermart.net/ed-covers/ed13-87cov.jpg

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One technique I especially like is collage. It uses magazine pictures like
those in my scrapbook, but these are cut into pieces, then mixed and matched
with others to form an altogether new scene. Sometimes I depict an old
dream; sometimes the picture I create incubates a new one. I've practiced
until I can create images credible enough to be used in dream telepathy
experiments. One of them doubles as the cover art for this month's issue of
*Electric Dreams.*


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An Excerpt From The Lucid Dream Exchange
By Lucy Gillis

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****************

In this month’s Excerpt, Robert Waggoner interviews accomplished lucid
dreamer, Suzanne Wiltink.


Robert: I met lucid dreamer, Suzanne Wiltink, at the IASD conference in
Copenhagen two years ago, and was very impressed with her lucid dreaming
skills and thoughts about lucid dreaming. Suzanne is on break from her study
of clinical psychology at the University of Nijmegen, where her fields of
interest are traumatic experiences and consciousness.



Robert: So Suzanne, how long have you been lucid dreaming? Please tell us
about your first lucid dream.

The first lucid dream I had that I can remember was in 1994. At that time, I
didn't have any special interest in dreams whatsoever, though I did write
down a few of them, including this lucid experience:

I dreamt that I was walking down a street in my home town, and that I saw a
man running towards me, suited in black with two white stripes on the side
of his pants. I was afraid and was thinking about the warning words my
mother used to say to me. "Don't go alone on the streets at night...you
might get kidnapped, raped or murdered!" So I turned around to rush home,
but suddenly out of the blue, I realised I was dreaming.

I decided to use my imagination and creativity, I wanted to confront and
overcome this fear that my mother had instilled in me. So I turned around.
The man was already out of sight. I shouted 'Joehoe!!!' and started to wave
with my hands in the direction in which the man had vanished, completely
sure of myself. But...the man in black didn't appear, so I started to
wonder...what was wrong? Didn't I create this scary man? Isn't he part of my
thoughts? If I 'dream' that he will reappear to talk to me, than that should
happen - right?

I thought I might have acted a little bit too impulsively and the fear came
back...this time much bigger. I started to run like crazy to my house,
thinking, "You're not dreaming at all, silly!" I went into the house, closed
the doors, windows and put the curtains down. I didn't speak because I was
afraid the man might hear me. I was lying down and falling asleep when
suddenly my sister said, "Dad there's a man in front of the door!".

In reality I then woke up and was relieved when I saw my sister sleeping,
but also astonished that I fooled myself in the dream.

Robert: Did that lucid dream change how you viewed dreaming?

>From that moment on, I became more interested in writing down my dreams and
occasionally I would talk to friends about them. One of them, Marco, told me
that this was called a lucid dream. Although it was a new experience for me,
I didn't have a clue that I could actually do something with it. But the
concept of a lucid dream stayed in the back of my head. Then, in 1999, it
popped back into my life. I had a lucid dream that made a great impact on
me:

I was having a dream of some friendly people in a room, which had a kind of
'tent' in the middle. Oddly, the tent was fluorescent green, and light was
coming out of it. There was a nude young man inside, I could see the shape
of his body, and there was the sound of electricity coming from this tent
and it smelled like ozone. The young man shouted, "It's amazing!"

I was quite curious and the people asked me if I would like to try it also.
I was enthusiastic and approached the tent, which suddenly seemed more like
a box with some sort of screen that looked as if one could go through it. I
was told to undress and put on a special suit in order to protect me. I
noticed I had these strange tattoos on my foot with triangles and a stripe,
which would light up if I would go inside, so my foot had to be covered as
well.

I asked what I should do then, and they replied that I could create anything
that I wanted. So I jumped into the screen and shouted, "I'm going to have a
lucid dream!!" I jumped through the screen and my body 'vanished', meaning
that I could feel my 'body' but it was different than how it feels to me in
real life, and I could see it if I wanted it, but if not, it was invisible.
I remember that it all felt very real and vivid, as if my senses were more
alert. At first I tried some Kung Fu and Jiu Jitsu, fighting some Chinese
guy for fun. But it wasn't as spectacular as I'd hoped for and I got bored,
so moved on. I thought I could try to have sex, but I didn't know who to
think of having sex with, because I thought it wouldn't be fair to this
person in real life if I would try that without asking permission. I moved
on and I went to an open area where there was a music festival but I thought
there wasn't much to see, so I asked a person walking there were I could
find '(dream) space'. He evaded my question so I went on.

I went down a street and saw a really strange creature, which I accidentally
touched when I moved by. A very nasty feeling went through me when that
happened, and I concluded that it was an evil being. He reminded me of the
bodiless creature called 'Azazal', from a movie I once saw, starring Denzal
Washington. In my dream he looked like a strange dark cloud and he had a
muilkorf (muzzle) over his head. This being spotted me and was going after
me. It somehow forced me to go down a set of stairs, I walked backwards, the
stairs ended up in some sort of bar with hazy people, criminals and hookers.
When I went down, other people were going up and down the stairs and I was
surprised that some of them noticed me, others did not. I also had the
feeling that I had been there before. The creature didn't follow me any
more, but two of his helpers did. One of them came really close to me, and
'touched' me; it felt like an electric shock, extremely unpleasant, which
made me decide to create another dreamscape, because I didn't have to be
there. Then another dreamscape appeared and the lucidity vanished.

Robert: Amazing! So what was it about these early lucid dreams that
intrigued you?

I think my dream life has evolved gradually because of experiences like
these. As I said, the first lucid dream made me interested in keeping up a
dream journal, because I had the feeling that something more was going on
there. When Marco told me about the existence of lucid dreams, I had some
understanding of what he was talking about, because I could relate it to my
dream about the man in black.

The second lucid dream feels like a gift to me, which pointed the way to
this 'new world' I was entering. It raised many questions, that later turned
out to be a drive or intention for me to have more lucid dreams and explore
the potential of them. Questions like how can I get lucid the next time, why
did it end, and how can I prolong it? What kind of body was I experiencing
when being lucid, what is that body made of and what can I do with it? Does
there exist other worlds or dimensions, or is it purely imagery from my own
mind? How could it be that some dream persons were aware of my presence and
others not; what does this say? Are there moral and ethical boundaries when
being lucid?

Robert: In the beginning, how did you become lucid? Did you have any special
techniques? Has that changed over the years?

I surfed the internet and looked up some books to find out about techniques
that other people use to induce lucid dreams. For instance: I tried to ask
myself a few times a day, "Is this a dream?" - hoping that I would encourage
that critical observation in my dreams, too. I tried to re-enter a dream
when I woke up in the morning, telling myself I would dream the same thing,
but now knowing that I was dreaming. I tried to look at my hands as a signal
that I was dreaming (as in Casteneda's book). None of these things worked
for me.

Then I read somewhere that if lucid, I could ask a dream character to alert
me the next time I was dreaming and that they would usually be loyal to
their promises. I had a funny lucid dream about this:

I was lucid and saw this man, I asked for his name and he replied "Otto". As
planned I asked, "Can you warn me the next time I'm dreaming?" He
immediately replied, "No!" I was really surprised and asked him, "Why not?"
Then, Otto said, "Because this is real...."

Whether or not the response is true, I saw my own ambivalent thoughts about
the reality of lucid dreams reflected in it. Though I call them 'dreams', to
me, they ARE real.

I also tried reality checks like jumping in the air. If I would float, this
would assure me that I was dreaming. This works for me, but only when there
was already some lucidity, otherwise I couldn't even come up with the idea
of jumping. I also created my own reality checks while dreaming, but my mind
is good in fooling me. One time I became a bit lucid and stated, "If this is
a dream, then in 10 seconds a dream character will appear." I started
counting, but it was extremely difficult to do so; I never got to 10!
Another time I asked a dream character, "If this was a dream, what would you
do?" But this person couldn't come up with anything either, and 'poof!' my
little bit of lucidity was gone. This is why I always keep a list of things
I want to explore when I might get lucid. It also told me that I have to be
careful and specific about how I formulate my goal or intention.

Another reality check I read about was turning on the light switch; if the
light doesn't turn on, this would be a signal that I'm dreaming. Well, just
like Otto, I think whether or not reality checks work for you, depends on
the way you define reality. In my real life, it happened often enough that a
light got broken. It didn't help me to discriminate between different states
of reality. And here lies the key in the way I become lucid nowadays. And as
a matter a fact, it is in exactly the same way as my second lucid showed me
already, but what I hadn't grasped at the time. There was this screen which
appeared as a border between the dream I was in and the lucid dream I was
entering. Going through this screen gave me a bodily sensation or
transition, if I might say so. The sensation of going from 'thick and dense'
into something 'lighter and elevated', or in other words from a state of
'form' into a state of 'formlessness/'shape-able' became my trigger. Now, I
can 'feel' in my dream in the imagery, whether or not there's the
possibility to 'shift'.

In my dream journal, I would write, "I feel that I can become lucid" or "it
feels permeable." In waking life I think there are also many states of
consciousness, and that it is possible to find a suitable way for each
person to learn to alter between these different states. I use meditation
and shamanic journeys to become more aware of transitions in my
consciousness. Practicing this way of discriminating between states,
automatically increased the number of lucid dreams I had. I think that our
'dreambody' can also be aware in waking life.

Robert: For me, I often visually can tell that the dream looks "dreamy" and
become lucid, but you might be the first person to mention kinesthetic
feelings prompting lucidity. As you had more lucid dreams, did you have any
surprising lucid experiences?

When I write down a lucid dream, I also try to formulate statements about
what I've experienced. Even though the lucid dream is short, or seems
insignificant at first. I use these statements as hypotheses when I look
over my lucid dreams and think about the lucid dream state. If I can, I try
to test them or use them as an affirmation in future lucid dreams.

In one dream I was lucid and wanted to visit a friend, he lives 100 km away.
I was flying through the sky and it took a long time, so I decided to land
on a house and affirm that this house would be the place where he would be.
And it was. The statement that I wrote down was: "There is no distance, you
must imagine it and you're there." This way I have collected a bunch of
statements (or lucid dream hypotheses), and the main thing that I took from
them so far is that for me, belief and intention seem useful ´tools´. If I
firmly believe something to happen, the effects seem more manifest in the
lucid dreams. Having a clear intention seems to give me a kind of confidence
that I'll become lucid if I want to and can learn something in the lucid
dream world, and that it will unfold in the direction of my intention.

Robert: I like that idea of really looking at one's lucid dream and trying
to pull possible meanings about lucid dreaming and the dream state from that
experience. For example, we normally assume that our dream characters are
the products of our dreaming mind - as you did in your first lucid dream.
Have you ever had an encounter, where the dream character seemed to be
independent of you?

In my second lucid dream where I was confronted with this Azazal and his
helpers, I assume that the characters were independent of me because of the
bad feeling I got when I passed by and the electric shock that I got. It's
hard for me to explain, but it didn't feel as if it is was generated from
within myself, it didn't feel like the same 'substance' as the images I was
creating and the characters that dwell therein (which I consider to be a
product of my own mind).

Also, I had a very strange lucid dream once where there appeared a being
with three wings on each side with eyes upon each wing, who spoke to me with
a very penetrating voice. It felt like the words that it spoke were loaded
with energy that is not mine. It said that I haven't been in touch with real
evil. Which I interpreted as meaning that it is watching me, but that I will
know it, when it is really there. This raises questions to me about
'protection' while dreaming lucid. Although I think that good and bad are
relative, it is not to say that nothing unpleasant can happen in lucid
dreams, just as in real life.

Robert: This issue of the "independence" or independent agency of some dream
characters encountered in lucid dreams seems to come to all experienced
lucid dreamers at some point. It's a complicated issue. Have you ever had
any interesting lucid dream encounters with dream characters that gave you
advice?

I have tended to see dream characters as aspects of myself that somehow
relate to my 'core (sense of) self'. I once had a dream in which a girl
committed suicide, and when I became lucid later on, I wanted to comfort a
friend of this girl who died and told her that it was a dream so she wasn't
really dead. This friend shouted, "No", then started crying and ran away. I
think this might have something to do with a suppressed aspect of myself. So
in that sense, it doesn't really surprise me that dream characters have
knowledge and independent action.

I think aspects can be more or less conscious in our-selves and there's a
diversity in the way these aspects can be integrated. I had a series of
lucid dreams in which I kiss a dream character. I thought that kissing a
dream character would be some kind of integration of psychological
aspects/contents of my mind, and wanted to see what effect kissing dream
characters would have on my lucidity. I expected it to increase. But the
opposite occurred mostly. What this might say is something that I want to
explore further, perhaps in exploring what different characters stand for.
But perhaps there isn't really a connection between assimilation and
absorption of dream images/energies and different levels of lucidity one can
experience.

Robert: Your point that a suppressed aspect of our selves in the form of a
dream character could seem to have independence is a good one and shows how
complicated the lessons of lucidity might be. Have you tried any experiments
in lucid dreaming? What did you learn?

I tried to visit people from real life, with different outcomes:

I wanted to meet S. I didn't know were to look, so I decided to enter the
first house I saw. I was in a street and saw a house with a green wooden
door and decided to enter. It's an old house which reminded me of an
orphanage, around 1800-1900's. There are stones on the floor, a fire place,
and wooden chairs. It's small and sober. There was no one downstairs so I
went upstairs. Upstairs it was 'the current time'. I came in a room with a
lot of beds next to each other with all kinds of men and women sleeping in
them. Between these beds was no bed left for S. I was allowed to lie on a
bed next to a tall man with dark hair and a Slavic appearance.

When I woke up I had several associations, the first floor reminded me of
the first chakra and it made me think of loneliness, the second floor made
me think of the second chakra and of sexual confusion. When I told S. about
this dream, he said that he and his wife at one point in time were going to
a meeting about Tantra, it was given by a man that fit the description I
gave, and it was indeed in a former orphanage and had a green wooden door.
He said that there were orgies taking place, he felt embarrassed talking
about it, and that he had felt awful about it and didn't want to sleep
there. I was astonished by these resemblances.

Also, I tried to visit you, Robert, several times. (Note: Suzanne and I had
some interesting lucid dream experiences in which she sought to contact me,
and I tried to learn unknown things about her, while lucid. -RW)

In other lucid dreams where I tried to visit people, it wasn't such a "hit"
like the dream I just described. But the images did contain symbols that
more or less meant something to the person I tried to visit. Although I must
say, to some extent, they also applied to me, as well. So maybe I was
picking up on something that we had in common.

Robert: Thanks for agreeing to an interview about lucid dreaming, your
experiences and ideas. I have to say that when I saw you for the first time
in Copenhagen, an inner sense within me just knew that you were an excellent
lucid dreamer. Any parting thoughts or comments?

I underestimated the time I needed to translate from Dutch to English, but I
really enjoyed answering these questions, since it made some of my ideas
more insightful for me while writing about them.



********************************
The Lucid Dream Exchange is a quarterly newsletter featuring lucid dreams
and lucid dream related articles and interviews. To subscribe to The Lucid
Dream Exchange send a blank email to:

TheLucidDreamExchange-subscribe@yahoogroups.com

You can also check us out at www.dreaminglucid.com


********************************
The Lucid Dream Exchange is a quarterly newsletter featuring lucid dreams
and lucid dream related articles and interviews. To subscribe to The Lucid
Dream Exchange send a blank email to:

TheLucidDreamExchange-subscribe@yahoogroups.com

You can also check us out at www.dreaminglucid.com




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A VIEW FROM THE BRIDGE
Dreaming the Compassionate Feminine
Jean Campbell
August 2006

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With events in the Middle East turning to Israel's attacks on Lebanon while
war in Iraq continues, members of the World Dreams Peace Bridge, like people
all over the world, have been asking themselves what can be done now? How
can we deal with this new crisis?

One answer has been coming through very strongly in a series of dreams about
the compassionate feminine, which began during May Tung's trip to China
immediately before her death at the end of May.

On May 15, May, who originally dreamed of the Reservoir which is part of the
Peace Bridge (see http://www.worlddreamspeacebridge.org/) wrote:

"Ah, now I know why I had to come here. It is really another world. After
flying over a long stretch of sand, we got to an Oasis, another world. It is
surrounded by the Gobi Desert with the hotel -- like an old palace, layer
after layer of courtyards. We are all out here so it's very quiet.

"We went to what I call it the MIRACLE LAKE way up in the sand which
surrounded us like a bowl. Up there, there is a small, crescent moon shaped
LAKE. As you can guess, it is full of mythical tales about how it came
about. "Basically" the celestial beings created this lovely like lake so the
mythical Queen Mother could have a place to wash her face. Naturally! The
purity, the dignity, dwarfs the human world."

The Queen Mother to whom May refers is the goddess the Chinese call Kuan
Yin.

Jody responded on May 16:

"In the desert, the Oasis. The reservoir where the waters of life collect.
And of course for the Queen Mother! She must have pure water to wash to show
forth her beauty. How this soothes the soul!

"I remember a wonderful book by Jon Blofeld called the Bodhisattva of
Compassion, about Kuan Yin or Kannon or same figure by other names. But
always the Great Mother of Compassion, “ She who hears our cries and comes.”
One chapter tells of a mythic tale of a lake where the figure of Kuan Yin
emerges. I wonder as I read your letter if this might be the lake of your
experience that Blofeld writes about. In any case it connected for me. I
feel Kuan Yin is with you, healing and comforting you."

Having recently joined the Peace Bridge, and not knowing what was happening
with May, Mary Whitefeather wrote to the Bridge that same week on May 23
that she had been in meditation and was guided to send the message to the
Bridge that Tara (another name for the goddess) should be remembered. "A
reminder," Mary said, "that we are all really connected when we pray,
meditate, call on, or dream for Peace."

She sent along a beautiful description of the goddess Tara, which reads in
part:

"The goddess Tara originated as a Hindu goddess, the Mother Creator,
representing the eternal life force that fuels all life...In Sanskrit the
name Tara means Star, but she was also called She Who Brings Forth Life, the
Great Compassionate Mother, the Embodiment of Wisdom, and the Great
Protectoress.

"A version of the Goddess Tara exists in virtually every culture. Indeed it
is said that the Goddess Tara will assume as many forms on Earth as there
are needs for her by the people."

This message from Mary was met by several members of the Peace Bridge
discussion group with dreams they had had about Tara, Kuan Yin, or another
embodiment of the Tara figure, the Black Madonna. These dreams were seen as
interesting, but it was not until the Israeli attacks on Lebanon began, and
the July DaFuMu Dreaming for World Peace had taken place, that they came
fully to our attention.

On July 21, Rita wrote:

"Various times during the night I was shown this image: A mother with
multiple arms (her head, face, many arms and torso) holding babies and
toddlers in the many arms, embracing them in safety. She seemed like a
physical mother but her face reflected spiritual peace. For some reason
what comes to me when I see the dream image in my mind is the sculpture of
Mary and Jesus in "La Pieta" even though what this mother was holding in her
arms were live children. Another association I have to the dream image is a
painting a woman from Montana did of the Black Madonna surrounded by
children and crying people. I will see if I can forward it to you under
separate cover."

From Del on July 23, came this dream:

"(A bit later on--I was not quite awake or asleep) I stand with many rows of
wonderful birds before me. They are waiting to be sent out on my command,
and I am swinging a metal (??) thing full of incense over them. In their
talons they hold numerous coloured crystals, and I am to send them out to
the war-affected areas: to the vulnerable people, to the wounded, and to
those with the most hatred in their hearts."

The question of the meaning of these dreams and what to do with them was
asked. Jeremy, who was at the time traveling to the World Peace Conference,
replied that he had heard once from an elderly woman in Romania that the way
to pray to the Black Madonna was to imagine her alive in one's heart, and
talk with her out loud. "This also works," Jeremy said, "with the
Compassionate Buddha."

During this time of worldwide pain, those of us on the World Dreams Peace
Bridge invite all of the world's dreamers to join with us in this act of
holding the goddess of compassion in our hearts, and praying aloud to her.

A final, delightful dream that seems to be part of this chain of dreams came
from Kathy on July 24.

"My DaFuMu was a simple wish called up from a memory deep in my mind. It was
so simple it just came in the form of a little childhood rhyme:

Middle East Wish
"Philbet Tan Philbet Tan
Where are you?
Philbet tan, Philbet Tan"
EOD

"I woke puzzled with the rhyme still playing in my head - why this?

"Then I remembered: Philbet Tan is a tall handsome intelligent cultivated
physiotherapist who has mixed western physiotherapy with Chinese
acupuncture. Why him in my dream???? BUT then I remembered: Philbet Tan is a
"Baba" a person from the Straits Chinese culture in Malaysia. This is an
amazing culture. The Chinese came originally from China (as part of some
desire for Chinese influence in the area) but they then mixed with Malays in
marriage (perhaps) and then married within their own group of Babas (men)
and Nyonyas (women) and produced a wonderful new culture - combining old
Chinese customs and language with the customs of each successive group of
invaders of their country as well as those of the native Malays. They have
their own language (a combination of Malay and Chinese); their own food
(Nyonya cuisine - a combination of Malay heat and Chinese styles); their own
dress (a combination of Chinese and Malay).They are rightly proud of their
distinctiveness - and yet it came from taking in and using and adapting to
what is around them.

"It is this I wished for the Middle East: to keep what is valued and to use
and adapt to what is valued from outside. i.e. to see others who are
different, not as a threat, but as source of interesting new possibilities
within your own culture. This allows different cultures to live together in
harmony - in fact it encourages differences in cultures BUT within the
context of an understanding that difference is a source of growth."

http://www.worlddreamspeacebridge.org/




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Hope For the Dream Art Underachiever
© 2006 Linda Lane Magallón

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Is displaying your dream art for all to see as intimidating for you as it
was for me? I used to be very hesitant about sharing my creative efforts.
Our local dream group included several professional artists and I feared my
art wouldn't measure up to their standards. It took a while to feel
comfortable enough to place productions under public scrutiny. In the
meantime, I could encourage my fellow artists by admiring their compositions
and listening to the dreams that inspired them. Then I took this supportive
attitude one step further. I bought some of their art. Paintings in oil,
acrylic, watercolor and colored pencil now grace various rooms in my home.
Perhaps such high quality works serve as subliminal models for my Inner
Artist. I hope.

My first artistic attempts were simple sketches in the margins of my dream
journal. Other dreamers might make intricately embellished journals with
pages ringed in lovely, ornate borders, but mine was more along the line of
stick figures in a well-worn spiral notebook. Because these minimalist black
and white shapes didn't satisfy a fondness for color and detail, I began
clipping photos out of magazines. The photos weren't an exact match with the
productions of my sleeping mind, but, then, neither were my drawings. After
years of washed-out hues, I was now dreaming in vivid Technicolor® and I
liked to look at the magazine pictures to celebrate the fact. This practice
led to even more colorful dreams. Gazing at pictures prior to sleep turned
out to be a successful form of dream incubation.

I put the magazine photos into a scrapbook and brought them to a group
meeting to share while I related my dreams. It soon became evident that some
elements in dreams were better understood when the dream group had something
to see. Other commercially constructed products were useful visual aids,
too, like plastic stickers and stamps or the black and white clip art I
could fill in like a kid playing with a coloring book. Once I designed with
Colorforms® (these small plastic geometric shapes can be peeled off and
relocated anywhere on a board). Maybe nobody else was very impressed with
the results of my hard work, but I was happy to create something bright and
vivid.

When I published *Dream Network Bulletin*, I solicited drawings from the
dreamwork community to make the newsletter visually appealing. One of our
most consistent contributors was Suzanna Hart. Her expertly drawn dream
cartoons were quite humorous. I noticed that, synchronistically, a few of
her drawings strongly resembled my own dreams, and asked if she wouldn't
mind if I matched them up. She readily agreed. Then I asked if she would
illustrate one of my dreams specifically. This, she found much harder to do
because it required more concentration. Suzanna told me that some of her
drawings were doodled while she was talking on the telephone. Amazing. My
doodles were more like firework explosions in the midst of dark smudges.

I was also pleased when a dream I submitted to another newsletter was
sketched by yet a different artist. This was fun: having other people draw
my dreams. It was extra flattering when other folks had dreams about me and
decided to illustrate them. I was surprised to be pictured in pencil and
computer graphics software. I also commissioned more elaborate artwork:
plaster cast masks of my dream characters and a silver pin depicting a
flying dream.

As much as I appreciated the gifts and admired the purchases, they all had
the same drawback. They were based on other people's inner pictures, not
mine. No matter how much detail was in the dream I related, the imagery it
inspired was not my own. Nobody has invented a dream machine to print out
exact copies of our visual recollections, so artists have to rely on their
own memories to fill in the blanks. Their interpretations varied from my
remembered dreams, sometimes a little, often a lot. Even my crude contours
could be more accurate representations.

My inhibitions finally crumbled when the dream group began making art during
our meetings. Guess what? Even a trained artist could be awkward when
dealing with new media. It was important for all of us to realize that
dreams held center stage, not artwork, so we didn't have that sort of
pressure to perform. Instead, our focus was on experimentation. Over time,
we tried a variety of mediums including charcoal pencils and Cray-Pas®,
watercolor and poster paint. Most was done on regulation sized art paper,
but I especially enjoyed the time we used sheets of butcher paper as big as
we were. A visiting dreamworker took one look at my oversized production and
said, "Oh, I had a dream like that." I doubt he would have recognized our
dreaming parallels from a verbal description, because the similarities were
of color and form.

We also tried 3-D art: milk cartons, egg cartons, colored paper, bits of
felt, yarn and plenty of white paste. Plus wire and glitter, Popsicle®
sticks and toothpicks, Play-Doh® and modeling clay. These elementary school
supplies can tempt the Inner Child to come out and play. Children's art
doesn't have to be professional, does it?

One technique I especially like is collage. It uses magazine pictures like
those in my scrapbook, but these are cut into pieces, then mixed and matched
with others to form an altogether new scene. Sometimes I depict an old
dream; sometimes the picture I create incubates a new one. I've practiced
until I can create images credible enough to be used in dream telepathy
experiments. One of them doubles as the cover art for this month's issue of
*Electric Dreams.*

None of the commercial underpinnings produce precise counterparts of my
dream characters, though. I'd like to upgrade from cartoons and stick
figures but I haven't taken art courses to learn how to illustrate the
physical form. So, I cheat. I'll find a picture of a person with the correct
general features and trace it. This serves as a template while I attempt to
change the details to more closely resemble the image in my head. If I make
mistakes, I can either erase the minor errors or trace the picture over
again. I still can't draw correct human proportions free style, but my
renditions are improving with this copycat practice. Maybe some day

If you think you have a dream art black thumb like me, here's my advice.
Try finger-paints. We dreamers can so easily limit ourselves with the
expectation that we must create serious adult masterpieces, because, of
course, we're such serious adults. (Ha!) But if we invoke the Inner Child,
instead, we'll have a lot more fun. And, we might even learn something new.


http://members.aol.com/caseyflyer/flying/dreams.html (Dream Flights)




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Dream: Sea Witch
Stan Kulikowski II

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DATE : 14 apr 2006 08:31
DREAM : sea witch

=( yesterday was thursday. i spent a couple hours in the repair shop at
tech advanced. third time in as many weeks that the crappy windows XP
machine was there. the repair tech needed to see how i operated the
software to get the crash. it happened there just it does at home. the
dvdr drive has stopped burning disks, probably because the operating system
got updated so the old software stops working and we have to go buy the
newer versions of the same programs doing exactly what they used to do.
this has happened to me several times in the last few years with the
microsoft products. when i finish burning my dr who collection from VHS
tape, i will be glad to see the end of this expensive unstable system. i
got to bed around midnight and read for an hour before going to sleep. )=


and so we make ready to put out to sea in iron ships. this one is called
'sea witch' and her crew is carefully selected. the first member is the
handsome greek. he is chosen for his skill with history and in case we need
to know about the shallow seas, mainly the mediterranean or the gulf of
mexico. next is the young naval officer fresh graduated from annapolis. he
is to keep continuity with the traditional naval command. the diver is
selected for contact with the deep and the gunner is needed for defense from
air forces. a couple girl scouts complete the basic crew. they will carry
water when we need it.

my first assignment with this crew starts from the port of boston, so i am
back in massachusetts. it feels like coming home. the waters here are
shallow and cold but the fishermen quickly go out into the deep atlantic.

the video wall of my quarters is in full use by two teenage boys.
one of them cuts back the room lights to just a pink glow which causes all
the white areas of the LCD display to resemble a sunset.
the screen saver here is a video game similar to mario or donkey kong
showing cartoon creatures in close up. there is a ground line with a couple
dips and elevations that moves at a usual constant rate. the dilemma is a
huge brown soil mass that descends from the top of the screen to crush any
of the cartoon creatures still on the ground line. the player can adjust
the movement of the ground line so some of the creatures can escape before
being mashed by the soil mass.
one of the two boys is rather well skilled at clearing the ground line
before the grinding soil mass can get to the creatures.

the water is still shallow where i have to wade out to test the first
solutions. it seems that there is an attack upon our evolution, causing
some of it to unravel. survival of the fittest will no longer operate as it
should due to the intervention of angels and demons brought into our
dimension through the rites of religious fanatics. they feel that these
intercessions will put our world back to the conditions they believe it has
always been. they are wrong, of course, but there are no proofs possible
with superstition.

the first angel that i meet moving on the face of the water quickly converts
its body of wispy vapor into a clear plastic rectangle. if i had not been
looking directly at it, i would have missed its conversion and assumed that
a slight fog had evaporated. i fetch up the lime green floating plastic
piece and keep it to prevent its escape. soon i find another piece of
flotsam that fits with the first like a locked puzzle. this should not be
too difficult if they all join together into a coherent whole, but i can not
rely upon such good fortune. i shall have to take these back to the sea
witch for a conjuration in order to discover what the sea waters around here
can tell us.

i go back to the narrow dirty beach of the harbor with my two trapped angels
in their plastic shapes. on shore i find ann marie, my former girlfriend
from here, waiting on me. it is good to see her again.
she has the left side of her face painted bright cosmetic colors in an
abstract pattern of modern art, resembling kadinsky or paul klee patterns.
it looks nice but the thickness of the paint on her face gives a slight
metallic taste to her lips when i kiss her.

we get aboard a passing bus which will take us back to where the sea witch
is docked. ann marie sits close to me, leaning into me to keep an intimate
contact which surprises me a little, but i am grateful for the touch. she
whispers in my ear that she hopes to spend the night with me, but i am not
certain if the conjuration with the angels will allow that. evolution can
not be allowed to be replaced with any psychotic abominations that the
deranged imaginations of zealots can arbitrarily dream up. i tell her that
i would like that too if it can be arranged. ann marie seems happy with
that.

some soldiers have gotten on the bus. they are thick necked marines dressed
in olive drab fatigues. seeing us, one of them makes a rude statement about
the subordinate role that women ought to assume in military operations. he
is obviously eyeing annie's well turned body which she has pressed up
against me. i can tell that she is not going to take this. she pulls away
from me and moves up to some empty seats a few rows up.

when she gets there, she turns slowly back toward the marines and stretches
out with a sinuous provocative luxury. "there is nothing about a woman that
is subordinate." she says to them. i hope she does not get them too riled
up because four or five marine grunts would be rather difficult to subdue.
still, she appears confident of herself. i admire the way she looks even if
her actions are not that wise just now.

=( awake at 08:15. ann marie was not the last woman i knew in
massachusetts, but i never really understood why she ended our relationship.
it probably had something to do with uncertainty and her inability to commit
to anything permanent with me, but i shall never know about that. she
always insisted that her family liked me and that probably sustained us
longer than otherwise. i have no other associations with the rest of the
content of this dream. it was somewhat challenging to get the dense layers
of understandings woven together in the manner in which they crowded
together in my mind, but i think this is about the proper description of
what happened. it seems that 'sea witch' was the name of the small ship but
that there was actually a witch hidden somewhere, not listed in the initial
roster of crew, to do the conjurations needed to defend evolution from the
supernatural intrusions. i suspect that if ann marie and i had gotten back
to the ship with the trapped angels, we would have seen her. )=



--

. although fate may defeat the efforts of virtue to avert misfortune,
=== it cannot deprive us of the power to endure it with equanimity.
| | -- plutarch, gaius gracchus 19
--- stankuli@...





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DreamRePlay
David Jenkins, PhD
Dreams and Speaking the Truth

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In waking life it is often easier to settle for less than the whole truth.
Convention, politeness, diplomacy, ambition, obligations and other issues
take priority, making half truths, or even fibs and falsehoods more likely.
The ability to say something in a way that avoids revealing our true beliefs
is a skill we all must learn.

The danger is that we start to believe our own half truths.
Truth is an issue in dream work when your dream self is too constrained to
say what he or she really wants and needs to say. The great benefit of dream
work is that you have no reason not to speak truthfully to dream characters.
You are totally free to work out what you really believe and then practice
how best to say it in a clear and non-threatening way, which will support
you in your waking life.

Sissy’s Dream

I dream I am walking down the street on my way home. I see a cute little
school girl. She is selling kittens and asks me to buy one. I tell her that
I am in a hurry to get home.

In fact Sissy felt like saying, “No way. Potty training a cat is that last
thing I’d want to do.” Sissy didn’t want to hurt the girl’s feelings but she
hid her own feelings by implying that, if she were not too busy, she would
have taken a kitten.

I asked her how she could tell the whole truth to the girl without hurting
her feelings. After some experimenting, Sissy decided to say: “I would not
be a good person to look after a kitten because I don’t really like animals
and you need to find someone who would really enjoy your kitty.” That answer
allowed Sissy to be true to her own feelings as well as kind.

Tom’s Dream

I dream I am with a group of people from work and an old acquaintance, Dan,
comes up and says hello. We are all going to a conference. Because he is
friendly, I feel I ought to be friendly back. I give him my business card.
But I have a funny feeling that I shouldn’t. I say, “Call me, let’s have
lunch sometime.”

When Tom woke up, he felt hopping mad at himself. In waking life, Dan had
stolen money from his friend Jane when they were all in graduate school. Tom
was so strongly influenced by convention that he was outwardly friendly even
when he didn’t feel that way.

We first explored what Tom really wanted to say to Dan (on the lines of “You
louse! Give back the money.”) The problem for Tom was that he and Dan were
not alone. That dream context was not the time or place to show his anger at
Dan. Tom tried saying, “Nice to see you again” but realized that was
completely untrue. Then he said “Have a nice day.” That was acceptable
because it was meaningless. Then Tom said, “It brings back memories to see
you again,” which was far closer to his real meaning. Both he and Dan would
understand the implication.

Summary

In waking life we are under a great pressure to avoid the truth. We fear
that the truth will hurt other people or that the truth will be used against
us. “Looking good” is often easier. But, over time, we can lose sight of
what it is we truly believe.

Saying what you believe in a way that is acceptable to the listener is a
skill that needs to be learned. You can start learning this process in your
dreams. Even though these examples might seem simplistic, they were powerful
experiences for the dreamers and helped them to speak up for themselves in
waking life.


DREAM ANALYSIS BY TELEPHONE


A phone consultation is a great way to begin your exploration of dream work.
It is also perfect when you don’t have the time to attend a regular class
but want to discuss a particular dream.

David is available for dream consultations by phone. The current cost is $50
per hour. A typical dream analysis might consist of a 30-45 minute
discussion of the dream and a follow up after the next dream.

David’s hours for telephone consultations are Monday through Friday, 10 am
to 7 pm, Pacific Time. To make an appointment, please email him with two or
three times when you are available and your phone number. He will e-mail you
back with an appointment time, payment information and request a
confirmation. David’s e-mail address is davidj@...
SHARE DREAM OF THE WEEK

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They can read back issues and subscribe (free) at DreamOfTheWeek.com.

----------------------------------------------------------------------------
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email: davidj@...
phone: (510) 644 2369
web: http://dreamreplay.com


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** DREAMS ** DREAMS ** DREAMS ** DREAMS ** DREAMS ** DREAMS

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From the Dream Section editor Kat Peters-Midland :

Here is the latest collection of dreams with great amount of feelings of
panic, sadness, fear, and inspiration. One dreamer watches disaster, while
another watches her child drown. A different dreamer is given a moving
book, yet another dreamer has a dead relative visit. Another person dreams
of a python-like snake slithering across their uncle’s feet.

Dream title: Don't take me away
Dream date: Oct 2005
Dreamer name: MK
Dream text: I was in a library and I noticed a little girl. I wanted to
help her with her studies. Then I found the librarian screaming. While I
helped the little girl, the doors burst open and an Aryan man approaches me.
He aims a gun at the little girl but I stop and say, "Please don't shoot
her! She’s only a little girl!" He said, "ok, well I have a message for
you....tell your grandfather to go back home to the river." Then he aims at
me with the gun and I wake up in a cold sweat.
Dream comments: the rally of illegal immigrants happened on May 1st 2006
only 7 months after this dream. My grandfather is legal!


Dream title: Not Your General Hospital
Dream date: 6-27-05
Dreamer name: MK
Dream text: I am pushing someone in a wheelchair. I don't know who it is.
I start to notice that it is my grade school, but we are actually in a gym.
I see my friend’s mom and I start to run away and run through the doorway.
The doors close and I end up in a hospital lobby. The chairs are very
bright and I look out the window. The lobby is not on the main level. The
nurse tells me that there is a restaurant /theatre on the other side of the
doors. I walk and hear my footsteps and I am attracted to the bright red
neon lights in this theatre. The statue of a woman holding a flag looks
familiar. This isn't a movie theatre; it's more like a Broadway theatre. I
am seated and I notice my clothes change and I am instantly a flapper. The
play is a musical dance number and the girl is singing, "you’re out of grade
school now...and New York is getting closer to you now...." I join them on
stage and dance my cares away. The year 1929 becomes 2005 and I walk out of
the theatre. I see my grandma and I tell her that my shoes are new.....I
don't understand why I said that. But then this soccer girl wearing purple
asks for my autograph and I say, "I’ll give it tomorrow..." and then I woke
up.
Dream comments: There was a tremor the next morning. And I was greatly
inspired.

Dream title: lucid dreaming
Dream date: none given
Dreamer name: Mr. Muse
Dream text: Shortly after my grandma passed away I had a very intense lucid
dream...a dream visitation. I was skating down her street on a very
beautiful evening; I could feel unusual warmth from the sun and breeze from
the sky. I was in a depressed mood but at that time but I was enlightened by
the evening. As I was passing her house I knew my Nana was gone and not to
look at the house, I was to just keep on skating. At first I glanced over
and saw her roses in the front yard then Nana standing to the left waving me
over. I fell off my board and boogied over to her as fast as I could, in
tears. I was crying hysterically and she put her arms around me and I could
feel exactly what her arms felt like when she hugged me. She said," dear,
you need to let me go, I’m where I need to be." I kept saying “this isn’t
real you’ve passed away how can this be?” She told me that she loved me and
the family. Then she told me to wake up. I woke as if I just had a dream; I
was falling.
Dream comments: I frequently have strong visitations from elders, loved
ones, faceless archetypes, and some others which at the present moment are
indescribable. These usually occur in REM or when I’ve smoked herb or have
taken a psychedelic.

Dream title: Snake at his feet
Dream date: 7/23/06
Dreamer name: princessT
Dream text: We were at a bar-b-q of some sort. The first person I see is
her sister who made herself to look like the one who has passed. But I knew
who it was and found this awkward but not frightened by it.
I kept asking for my uncle (the father of the one who passed). My cousin
pulls me in his direction and points over to a tree and says "there he is".
As I look in his direction I see him by the tree and down by his feet I
notice a large python-like snake slithering across his feet. No one seemed
concerned of this nor was I. My father (my uncle's brother) stood next to
me. We commented on the snake as it buried itself into the ground through a
hole. My father merely made comment how the snakes burrowing did not affect
the green grass around it. All kept saying is why is it there? Why across
uncle Tony's feet? Why don't we feel threatened? I woke up or went
somewhere else I don't remember.
Dream comments: my cousin has passed in recent weeks. I think I'm worried
about my uncle and the snake represents the worry but by it going away and
not being threatening tells me he is going to be alright. My father’s
comments tell me life goes on. I just don't get my cousin wanting to be her
sister...



Dream title: Book
Dream date: July 21, 2006
Dreamer name: sojourner
Dream text: A book was suddenly in my hands. It seemed based on most secret
power of words. I had a true feeling of virginal awe as I read through it.
Word by word the book was very clear. I HAD to share it.
The title was an analogy, one that connected powerfully. I tried to memorize
it. A little panic started, why? Suddenly I was trying to hold on to what I
remembered.

I knew I could keep the title by heart...that would give conscious minds
something to start with. The letters fell away. The whole analogy slipped.
Wah! Almost in a panic, I asked a woman if I had the title right.

"No, you are off on the whole second part of the analogy."

I looked fast for an author's name, to find that book. Were there several
contributors? All the pages got harder to read. I did talk to someone I
thought was an author.

I must have cheered about his work, because he was suddenly adamant the book
was a compilation of other minds, certainly not just his.

Did I still think he put it together so well? He was inspired. I must have
asked him again why he wouldn't present himself as the primary author. He
said he didn't play with stuff like Theology.
Dream comments: none given


Dream title: How did I get this way?
Dream date: month of April
Dreamer name: none given
Dream text: I had a dream I was pregnant. I had no clue who was the father
was, and I had no recognition that I'd even had sex. I'm keep thinking that
I'M still a virgin!
Dream comments: I am still a virgin, to this day, yet I have had the same
dream three times within a month. Every time I am in a different part of my
home and I never interact with anyone. I asked a friend about these dreams
and he told me that it could mean rebirth.

Dream title: Avoiding disaster
Dream date: various
Dreamer name: Mike6147
Dream text: I don't like heights but either find myself in, or risk (dare
myself) traveling. In one or more aging, clearly unsafe, elevators, going to
the upper floors of a very tall building; on at least one occasion, I have
gone right to the top of the building and outside, then experienced vertigo.


The elevator(s) swing, stop between floors and generally exhibit all the
tendencies associated with elevator fear, but until this morning's dream, I
have never experienced an actual fall.

This morning’s dream:
I'm traveling in at least two elevators, same familiar style, building and
emotion (sometimes daring). I'm with someone I meet weekly at a Prayer Group
meeting, an elderly woman. At one point I fool someone into thinking I'm
taking a short journey down, but instead I 'dare' to take the elevator up.
The elevator(s) break down.
Next scene: I'm entering the lobby and sit at the bar with an (unknown)
familiar person. I ask the bartender if the elevators are still out of
service. He says yes. Next there's a rumbling, getting louder. I know the
stuck elevator is falling to the ground. Several elevators crash to the
lobby, one on top of the other. I see the occupants (many) of one falling
elevator, floating in the car as it falls. I see (fairly sanitized, no blood
and guts) crushed bodies in the wreckage. I wake up (not suddenly, no
sweating).
Dream comments: I rarely remember dreams (and almost always sleep well) but
this morning I had a dream which I realized was related to an occasional
recurring dream I have had over the years.


Dream title: child drowning
Dream date: 4/15/05 and 05/02/06
Dreamer name: anonymous
Dream text: one year ago I dreamed that my 2 year old son had drowned. Dream
comments: Two days ago my 5 year old daughter had the same dream. She never
heard me sharing that dream.


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-------------------- END ISSUE -----------------



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