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  • Category: Mathematics
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Hypothesis revisited   Message List  
Reply Message #407 of 20696 |
Re: 41 "miracle" and 43 tone scales

--- In tuning-math@y..., "monz" <joemonz@y...> wrote:
Paul Erlich wrote:
> > That's understandable, since 31-tET conflates pairs of ratios
> > in his diamond.

This is useful terminology.
"<temperament> conflates ratios in <JI structure>"
means the same as
"<JI structure> overloads <temperament>".

> This whole thread about a possible MIRACLE intuition guiding
> Partch has made it abundantly clear to me that the literal
> structures embedded in the Tonality Diamond were of paramount
> importance to him.
>
> Since arguably the thing the Diamond shows best is the
> at-least-dual nature of each ratio, which is a property
> Partch emphasized repeatedly was inherent in ratios (quite
> obvious to my mind, since they're a relationship described
> by two numbers, duh!), then it seems to me to follow that
> this dual property was perhaps the primary conceptual focus
> of his tuning system.
>
> If this is the case, then I find that to be a very valuable
> insight into Partch's _modus operandi_.
>
>
> It's also fascinating that Partch was more interested in
> expanding his harmonic resources along Pythagorean lines
> (pun intended) rather than the higher-prime relationships
> approximated by MIRACLE.

What do you mean here by "higher-prime". I hope you only mean 5, 7 and
11.

But it seems that he went Miracle at first and then later changed only
four notes for Pythagorean. He changed only 49/48 to 81/80 and 27/20
to 15/11 (and their inversions).

So I can postulate 3 forces in historical order: First Diamondic, then
Miracle (which simply means that he wanted to fill in the diamond gaps
while minimising the number of extra notes and maximising the number
of 11-limit consonances, both strict and with small errors) and
finally the old Pythagorean/Diatonic reasserted itself sightly.

> I'm interested now more than ever in knowing some of Daniel
> Wolf's knowledge and opinions on this subject. A full-scale
> analysis of the *non*-JI harmonies in Partch's compositions
> would reveal a ton of information.

Yes indeed. We might be able to better answer the "schismic vs.
miracle" question based on that.

-- Dave Keenan




Tue Jun 26, 2001 7:08 am

D.KEENAN@...
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Message #407 of 20696 |
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monz
joemonz@... Send Email
Jun 26, 2001
5:23 am

... This is useful terminology. "<temperament> conflates ratios in <JI structure>" means the same as "<JI structure> overloads <temperament>". ... What do you...
Dave Keenan
D.KEENAN@... Send Email
Jun 26, 2001
7:08 am

... http://groups.yahoo.com/group/tuning-math/message/407 ... Doesn't this imply that, somehow, Partch was using the "non-JI" harmonies in a different way than...
jpehrson@... Send Email Jun 27, 2001
8:00 pm

... Well a question can't imply a fact. But if you mean, doesn't it _assume_ that, then no. In fact, the more Partch used them in the same way, the easier it...
Paul Erlich
paul@... Send Email
Jun 28, 2001
1:34 am

... http://groups.yahoo.com/group/tuning-math/message/404 ... A question: In arithmetic and mathematics is the *numerator* of a fraction ever considered "more...
jpehrson@... Send Email Jun 27, 2001
7:53 pm

... Not that I know of -- see the definition of the rational numbers as equivalence classes of ordered pairs of integers. In an ordered pair, *somebody's*...
M. Edward (Ed) Borasky
znmeb@... Send Email
Jun 27, 2001
8:36 pm

... http://groups.yahoo.com/group/tuning-math/message/425 ... ever considered "more important" than the *denominator?* ... equivalence classes of ordered pairs...
jpehrson@... Send Email Jun 27, 2001
9:03 pm

... On what basis do you make that claim? They seem to be equal enough in importance in this music to "fool" Riemann, Partch, and many other theorists to give ...
Paul Erlich
paul@... Send Email
Jun 28, 2001
1:37 am

I was paraphrasing Partch ... I can probably find the line in _Genesis_, but one of his goals was to restore Untonality to equal footing with Otonality, thus...
M. Edward Borasky
znmeb@... Send Email
Jun 28, 2001
2:14 am

... Edward Borasky" <znmeb@a...> ... In musical _theories_ -- not in any of the musical _practice_ that he liked, as he understood it....
Paul Erlich
paul@... Send Email
Jun 28, 2001
2:36 am

... No. I don't think so. It's all completely dual. ... No. Its a good question. ... arithmetic, ... In ordinary (non-musical) usage the numerator is just as...
Dave Keenan
D.KEENAN@... Send Email
Jun 27, 2001
11:40 pm

... http://groups.yahoo.com/group/tuning-math/message/428 ... musical specialness is in "big number versus little number", not "numerator versus denominator". ...
jpehrson@... Send Email Jun 28, 2001
3:52 am

In-Reply-To: <9h8hfa+ki4n@eGroups.com> ... The 43 notes become a 41 note schismic MOS, with duplicates exactly where you expect them. Wilson showed this. You...
graham@... Send Email Jun 26, 2001
9:54 am

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monz
joemonz@... Send Email
Jun 26, 2001
2:54 pm

... Two or more notes (ratios) of the JI structure become a single note of the temperament. For example 9/8 and 10/9 are replaced by a single "D" in meantone...
Dave Keenan
D.KEENAN@... Send Email
Jun 26, 2001
11:11 pm

... You're right . . . the angle stuff only makes sense if two or more unison vectors are not being tempered out. ... Correct. ... We all know the special...
Paul Erlich
paul@... Send Email
Jun 25, 2001
11:18 am

... I mean the ancient scales that are still in popular use today in various cultures. eg. "meantone" diatonic. Arabic scales. Various pentatonics. Gamelan...
Dave Keenan
D.KEENAN@... Send Email
Jun 25, 2001
4:57 pm

... us a ... There are a lot of cultural accidents that lead to "popular use". And those Gamelan scales . . . you'd need some large unison vectors for those,...
Paul Erlich
paul@... Send Email
Jun 25, 2001
10:00 pm

... And ... Yeah. Dammit. :-) So neither PBs nor JI seem relevant there, except possibly in a Setharian sense. ... That's a JI minor third, so kleismic,...
Dave Keenan
D.KEENAN@... Send Email
Jun 25, 2001
11:28 pm

... Hi Dan, :-) I hope the actual point of my message isn't lost because of my ill-advised use of the word "trash". My apologies. I believe I defined what I...
Dave Keenan
D.KEENAN@... Send Email
Jun 23, 2001
8:06 am

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monz
joemonz@... Send Email
Jun 23, 2001
6:05 pm

... Oh, well, see if you can come up with a better word for "chromatic unison vector" for when I start explaining this. Graham "I toss therefore I am" --...
Graham Breed
graham@... Send Email
Jun 23, 2001
6:42 pm

... http://groups.yahoo.com/group/tuning-math/message/305 ... What is the history of that term again, Monz?? Joe P....
jpehrson@... Send Email Jun 24, 2001
3:11 am

... http://groups.yahoo.com/group/tuning-math/message/300 ... learned ... It certainly would... because it would be a *lot* easier to "dismiss" your posts!...
jpehrson@... Send Email Jun 24, 2001
3:09 am

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monz
joemonz@... Send Email
Jun 24, 2001
5:37 am

... _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com...
monz
joemonz@... Send Email
Jun 24, 2001
4:09 pm

... type ... Actually, with the 10-note 369c MOS, I was looking for a MOS scale that Paul would have difficulty finding unison-vectors for, that are anything...
Dave Keenan
D.KEENAN@... Send Email
Jun 25, 2001
9:15 am

... I think Dan just found unison vectors for your example, Dave!...
Paul Erlich
paul@... Send Email
Jun 25, 2001
11:39 am

... are ... and ... how ... If that's the case, then it makes my point quite well. Isn't it just a little ridiculous to refer to intervals of 351c and 114c as...
Dave Keenan
D.KEENAN@... Send Email
Jun 25, 2001
5:10 pm

... scale ... that ... UVs, ... those ... just a ... as "unison" ... Only if you think of the scale as existing _initially_ in JI. Some of my favorite scales,...
Paul Erlich
paul@... Send Email
Jun 25, 2001
10:05 pm
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