--- In tuning-math@yahoogroups.com, "Gene Ward Smith" <gwsmith@s...>
wrote:
> --- In tuning-math@yahoogroups.com, "Gene Ward Smith" <gwsmith@s...>
> wrote:
>
> > > 116 [49/45, 10/9, 9/8, 8/7] [1, 1, 2, 2] 1.568046 6
> > Pajara[6]
>
> It's six notes of pajara, but not Pajara[6].

Oh!

> The 49/45 and 10/9 are
> seven fifths up and four octaves down--the apotome, 49/45 and 10/9
all
> being the same in pajara. The 9/8 and 8/7 of course are the same,
both
> two fifths up and an octave down. So in terms of generators, it
looks
> like [2,2,7,2,2,7], which adds up to 22 fifths. In 22-equal, it
would
> be 443443,

Ah. Well you can see on Manuel's list:

http://www.xs4all.nl/~huygensf/doc/modename.html

that I already gave its second mode a bland, technical name. Dave
Keenan shows it as a chord on his page:

http://www.uq.net.au/~zzdkeena/Music/ErlichDecChords.gif

and calls it "superaugmented subminor 7th 9th augmented 11th", which
is even worse.